Skip to main content

Iceman 2 Review


I didn't pick this book up on Wednesday, but got it today.. so read it real quick and yeah... Let's just get to it.

Iceman 2 starts off with basically Iceman running off for a mission, of course we don't know it's a mission for a while, but we finally get that revealed.. And Iceman's co-pilot for this adventure to find a new mutant whose powers are out of control? Ex-Girlfriend Kitty Pryde. We all knew it was coming from the interviews.. I just never wanted to read it and this issue is exactly why.

First the action stuff.. Iceman and Kitty fly off to save kid, their Blackbird plane fails in mid flight and Iceman has to ice ramp them down. Then they find kid surrounded by an angry mob. At that point, Kitty's powers go wacky and Iceman decides to quickly throw up a wall.. which just angers the mob and pisses off Kitty since she's now the leader of all the X-Men.They argue which boils down to Kitty is mad because Bobby didn't run to her as soon as he came out and talked to her about him being gay. This whole scene is incredibly awkward to read and it keeps up this whole idea since Iceman came out that Iceman's being gay is solely about the women in his life (Jean Grey and now Kitty Pryde) and not about.. Bobby. Oh and after this conversation? Bobby knocks out the kid they're trying to rescue and the X-men make their daring escape.. end of comic. Yeah that's pretty much it. This entire issue was a set up for an extremely awkward/painful "It's all about Kitty" story and Bobby just lets her have it. Even the interactions with the kid, it's all about Kitty being nice, Kitty is the understanding one.

Seriously? Bobby joined the X-Men after Cyclops saved him from an angry mob. It seems extremely odd that he has no sympathy or time for this kid who is in the exact same situation.. and added on that after Bobby knocks the kid out (and says it's all OK because kids get knocked out all the time?), the kid is placed in Bobby's class. It's just so bizarre and weird.


Iceman's personality is on point here and he does some cool things with his powers. The action is interesting to say the least and that's pretty much all there is good about this book. I want this book to be great and it's just.. mediocre.

Art continues to suck and it looks like Marvel has chosen to constantly change up the artists. Oh joy.. so even if Sina Grace gets his crap together and can give us a good compelling story with a great artist, they'll just change the artist on us. Really comics is a collaborative medium, so it's important to have collaboration. There have been a couple times where I've read comics where the writer and artist just have a great rapport and it shows. Greg Rucka and Nicola Scott for instance have a great working relationship and Wonder Woman Year One shined brighter because of it compared to Rucka and Liam Sharp's The Lies. So it'd be nice to have a good steady artist.. and one that can do sexy. This still isn't sexy.

Oh and the cover.. looks like Kevin Wada is staying on covers and they're just bland. Nothing about them says action or fun or READ THIS BOOK. It just boring posses again.

Comments

Popular posts from this blog

How Superhero Comics Teach Information Literacy Part 1

OK. I had this idea and submitted it to be published in a book about comics and information literacy and the rejected it. Sad face. I know I could type this out and send it to be officially published and maybe one day I'll take the ideas here and reuse them for an article, but.. that's a long process and I think this is too important to lock up for long periods of time and potentially a paywall. So I'm going to do a series of posts about how superhero comics inherently teach information literacy and how you as a librarian can tap into that and use that to advocate for comics or even help people understand information literacy. No clue how many posts there will be if I'm honest.. but here's the first. Early example of a Marvel Citation If you've ever read a lot of Marvel/DC Superhero comics especially from the 60's, 70's and 80's, you will have noticed these little boxes with editors notes in them. These small notes often told readers when

Transformers More than Meets the Eye and Robots in Disguise

I know I've recommended these books before, but I've been re-reading Robots in Disguise  (which becomes just Transformers  later) and reading for the first time most of More than Meets the Eye  (which becomes Transformers: Lost Light) and I have to say.. wow. These books are just so beautifully done. I've talked before about the right and wrong ways to do politics in a book. These books? They get it right. How do they do it? Well here's the thing.. both of these books take place after the war between the Autobots and Decepticons is finally over. It's done. Time to move on and build a new world. In Robots in Disguise , we follow the adventures of all the Transformers, Autobots, Decepticons and Non-Aligned Indigenous Life Forms (or NAILs) all trying to make a new life on Cybertron. There is animosity between all 3 groups Autobots and Decepticons obviously still hate each other from the 4 million year war and NAILs feel like the war destroyed their planet and th

Pride Month Recommendations Part 1 Gay/bisexual male

I feel like I'm running behind on a lot of stuff right now, so there will probably be a few posts this week to make up for it. Sorry about that,. So June is typically considered Pride Month in the US, though local areas may have their own pride at different times. I'm going to start doing a series of posts on LGBTQIA comics that I recommend, but I'm going to do this a little differently. My idea is to break it down into parts, the first focusing on gay and bi men, then lesbians and bi women, then trans*, queer, intersex and asexual, then  finally circle back and focus on books that do a bit of all of them well (namely team books). I want to do it this way for a couple of reasons. First, while LGBTQIA is a community for various reasons, each individual group has it's own wants/needs/desires, so a book with a lesbian lead may not speak to an asexual teen as well as another book. The second reasons is to highlight some of the areas where comics as a medium are lacking ov