Skip to main content

The Term Graphic Novel

I know it's been a little bit since I've posted. Things have been a tad busy in my life, but I'm back again and there is something we should probably talk about. And that is the term Graphic Novel.

Now I know that a lot of people think Graphic Novel is a catch-all term for any comic in bound in a larger book-like format. While that is partially true, that's not exactly the case. So let's talk about it.
While the term Graphic novel has been around since the 60's, the term became popular and well known thanks to Will Eisner's A Contract with God. It is a series of stories based around the lives of poor Jewish people living in a tenement in New York City. This unique form of comic was marketed as a Graphic Novel to distinguish it from the better known superhero, sword and sorcery, western and romance comics that were coming out at the time and the name stuck. That said, the term was specifically meant for this type of work that was originally written and printed as a bound book. This was exemplified by Marvel's use of the term several years later with the Marvel Graphic Novels line.

The Marvel line were complete one-shot stories printed in a larger bound format. While the line used Marvel's staple characters and shared continuity with the comics, these were completed stories meant in one volume, not like the continuing multi-issue arcs that most Marvel and DC were doing at the time. Marvel used this format to release X-Men: God Loves, Man Kills, Dazzler the movie (which was intended to have a CD tie-in originally, but fell through), and The Death of Captain Marvel. It was also used to launch several titles like New Mutants and Sensational She-Hulk. They also launched several creator owned series this way. While a lot of this was legitimately a money grab by Marvel, the format was cemented as a format to tell a story and intended to be printed in a larger format.

So what does this really mean? Well technically if a comic was originally printed in individual issues (or floppies as we sometimes call them as fans) and then reprinted in a larger bound format, it is not a graphic novel. It's instead called a trade paperback. The graphic novel is instead a larger work intended to be printed in a bound version. It is typically the only installment of the work as well.

And now you're wondering why I've gone to such lengths to explain all this? Well for one, fans know the difference. Using the terms incorrectly or too generically can hurt your ability to recommend books to some people (not all mind you, but some).

Second of all and more importantly, there are creators who really don't like the term Graphic novel. Alan Moore, Neil Gaiman, and Jeff Smith, to name a few big names, have all expressed distaste with the term. Others have come up with their own terms as well that they seem to prefer like Daniel Clowes using "a comic strip novel" or Craig Thompson choosing "illustrated novel."




Comments

Popular posts from this blog

How Superhero Comics Teach Information Literacy Part 1

OK. I had this idea and submitted it to be published in a book about comics and information literacy and the rejected it. Sad face. I know I could type this out and send it to be officially published and maybe one day I'll take the ideas here and reuse them for an article, but.. that's a long process and I think this is too important to lock up for long periods of time and potentially a paywall. So I'm going to do a series of posts about how superhero comics inherently teach information literacy and how you as a librarian can tap into that and use that to advocate for comics or even help people understand information literacy. No clue how many posts there will be if I'm honest.. but here's the first. Early example of a Marvel Citation If you've ever read a lot of Marvel/DC Superhero comics especially from the 60's, 70's and 80's, you will have noticed these little boxes with editors notes in them. These small notes often told readers when

Transformers More than Meets the Eye and Robots in Disguise

I know I've recommended these books before, but I've been re-reading Robots in Disguise  (which becomes just Transformers  later) and reading for the first time most of More than Meets the Eye  (which becomes Transformers: Lost Light) and I have to say.. wow. These books are just so beautifully done. I've talked before about the right and wrong ways to do politics in a book. These books? They get it right. How do they do it? Well here's the thing.. both of these books take place after the war between the Autobots and Decepticons is finally over. It's done. Time to move on and build a new world. In Robots in Disguise , we follow the adventures of all the Transformers, Autobots, Decepticons and Non-Aligned Indigenous Life Forms (or NAILs) all trying to make a new life on Cybertron. There is animosity between all 3 groups Autobots and Decepticons obviously still hate each other from the 4 million year war and NAILs feel like the war destroyed their planet and th

Pride Month Recommendations Part 1 Gay/bisexual male

I feel like I'm running behind on a lot of stuff right now, so there will probably be a few posts this week to make up for it. Sorry about that,. So June is typically considered Pride Month in the US, though local areas may have their own pride at different times. I'm going to start doing a series of posts on LGBTQIA comics that I recommend, but I'm going to do this a little differently. My idea is to break it down into parts, the first focusing on gay and bi men, then lesbians and bi women, then trans*, queer, intersex and asexual, then  finally circle back and focus on books that do a bit of all of them well (namely team books). I want to do it this way for a couple of reasons. First, while LGBTQIA is a community for various reasons, each individual group has it's own wants/needs/desires, so a book with a lesbian lead may not speak to an asexual teen as well as another book. The second reasons is to highlight some of the areas where comics as a medium are lacking ov